Here I am, blogging and apologizing. Saying, I'm sorry I haven't been blogging more often. Here I am falling back on the excuse that I've been busy. Busy, busy, busy. Here I am claiming that being busy keeps me connected, keeps me aware, makes me feel like I'm contributing to life around me and weaving a thread between my own heartbeat and the drumming that makes the world go 'round. And here I am admitting that it's not (always) true. That sometimes, it's quite the opposite – staying busy helps me disconnect, helps me keep moving without pausing to consider how I'm moving, or why. It helps me feel productive, which can seem fulfilling when I convince myself that I value productivity more than being in touch with the fullness of my reality, including any uncomfortable feelings I'd rather avoid. For me, working and creating with dignity means being mindful about the work I'm doing, and being aware of all of my needs, even those I might be neglecting in any given moment by staying so busy. I'm thinking about what bell hooks wrote in Sisters of the Yam: Black Women and Self-Recovery: "[t]he practice of 'right livelihood' invites us to become more fully aware of our reality, of the labor we do and the way we do it." So here I am, pausing. Practicing "right livelihood" by taking a moment to think about how I can align my busy life with my dignity. We all deserve to work with dignity, which is one of the reasons I'll be marching tomorrow for May Day, also known as International Workers' Day. It's a day for uniting in solidarity with immigrant workers, to stand up for human rights and say no to criminalization. CUAV's contingent will be part of San Francisco's march, walking together as LGBTQ survivors and our allies. Join us, or find May Day events in your area. What does working with dignity mean to you?
 Mr. Invisible Doesn't Like Rain by Candace Fowler I'm realizing I spend a lot of time trying to shake off the good things that come my way. I dismiss compliments to my work as exaggerations of my talent, shaking my head rather than letting the words stick. If I read the poem and the audience applauds, I try to let the sound fly off me like a dog shimmying water off its coat, instead of letting the praise sink in. And recently, upon reading a particularly glowing review of my poetry, I seriously considered the possibility that the reviewer was uncharacteristically drunk when she read my work. But I guess that's not likely. Can anybody relate? Why do we do this? I guess I can see why people of color, or women, or queer people get used to the idea that we're not good enough, not deserving of good things, so it's easier to attribute our successes to other sources than to believe that we're really the ones who created something of value. After surviving abuse and oppression, I can understand why someone like me would have a hard time accepting that she's worthy of praise. Today's practice is not one in humility. Today, I'm practicing saying something new - "I deserve this." Recently, I've read my work as part of some truly magnificent events, and poems of mine have been published in some compelling journals. It feels both humbling and empowering to share my work among such talent, and instead of asking, "What the hell am I doing here?" I'm taking a breath and sitting with the feeling. And I'm saying, "I deserve this." Try it out when good things come your way. Let me know how it goes. And for one of those compelling journals in which I'm honored to have my work published, check out last December's issue of Blackberry: A Magazine.
I've written about Writing Ourselves Whole before, but that was a while ago, and anything that brings transformative healing into survivors' lives is worth mentioning again and again. There's no better time to mention this precious work than now, on the eve of Fierce Hunger, Writing Ourselves Whole's 10th anniversary celebration. For the past ten years, founder and facilitator Jen Cross has been helping survivors write at the intersection of a trauma and desire. And what a liberating place to write from from – I'd know, as I've personally spent time in some Writing Ourselves Whole workshops, and I have Jen to thank for so much of the courage I've found to write my truth. And now, I also have Jen to thank for my latest publication credit. She's included my poetry in the Fierce Hunger chapbook, alongside the work of many of the brave and talented Writing Ourselves Whole participants from the last ten years. I'm thrilled to be included, and by association, to take part in tomorrow's Fierce Hunger celebration. The event sounds like so much fun! The night will include dancing, a silent auction and a raffle with some fabulous items available, and readings by Carol Queen, Jacks McNamara, and more. All proceeds benefit the Writing Ourselves Whole scholarship fund, to give more survivors the gift of transformative writing workshops. You can find more details on the event, on the prizes available, and on how to donate to the fund on the Fierce Hunger tumblr. I'm glad that my words will be at Fierce Hunger, so I'll attend in spirit, since I can't be there in person. I'll be reading at the Bernal Yoga Literary Series, which is happening the same night, in an unfortunate coincidence in scheduling. I must say, I'm a little blown away by the list of the other writers who'll be sharing the stage (studio floor?) at Bernal Yoga Studio tomorrow night. The lineup includes Joshua Mohr, Aimee Phan, and Phil Lumsden. I'm trying not to shake in my boots over here. Here are the details for that event: Bernal Yoga Literary SeriesMarch 2, 2013, 8:00 pm 908 Cortland Ave in San Francisco I hope to see you there, but you won't hurt my feelings if you show up at Fierce Hunger instead. I'm looking over the details for that below, and I know it's hard to miss!
 African Goddess by Charles Bibbs Sometimes, when I think of divinity, I think of something bigger than this world, something so far outside of myself that perhaps I'll never reach it. Then there are the times when I see divinity in the eyes of another black woman. I guess that's the difference between thinking about divinity and feeling the spirit of the divine, through contact with a black woman who has struggled and survived. And in turn, I suppose that means seeing divinity in my own eyes. I've got to stop and absorb that for a moment, because the transformation from struggling to sense an ounce of worth in my dark skin to seeing myself as embodying the divine feels like a miracle. Black women's voices lifted up our divinity at last weekend's Black Women From the Future event. It really enriched my soul to be part of such a powerful reading, and I'm feeling an immense amount of gratitude for everyone who was part of the show, and who came out to see it, and who watched online via livestream. Be on the lookout for video from the event soon, and for more from Black Futurists Speak. And in the meantime, let's continue on with the inspirational divinity of black women with The Black Woman is God, a living altar art exhibition showing now at the African American Art & Culture Complex in San Francisco. From the program description: The Black woman’s contribution in the society has been devalued. She has been viewed as second-class citizen, relegated to the dresser draws of history. However, she has shaped and changed the world in social and political spheres. These influences of change are reflected in the art world, however, dominated by white male patriarchy. This exhibition will challenge the limited artistic space deemed appropriated for black women to occupy and question when black women create are they God. It is explosive because the images of God have on the most part been white and male until recently.Wow. I can't wait to see this exhibition, and to hear from the participating artists at tomorrow night's reception - see details for that event on Facebook. And for a start, listen to an important discussion between the artists in the videos below, and see what you get out of it. The message I got? I am more than a healer. I am healing.
Okay, so I know I get really excited about every event where I get the chance to read my work, but I must say, I'm really excited for this weekend's reading. Let me tell you why. - It's called Black Women From the Future. Enough said, right? I'll say more, anyway. This event, the latest installment of Black Futurists Speak, celebrates Black History Month and helps kick off Women's History Month, by lifting up the unique power of black women's voices. That's right, it's a lineup consisting entirely of powerful black women.
- Said badass lineup of performers is as follows: African-Jamaican dub poet d’bi.young anitafrika, poet and director of The Lower Bottom Players Ayodele Nzinga, the stunningly talented fiction writer Lisa D. Gray, poet and musician Amber McZeal as our host, and lil' ol' me.
- We'll be reading along with music by Kevin Carnes of the celebrated jazz-electronica trio Broun Fellinis.
- There's also an open mic, which means there will be even more badassery, which we have yet to hear of.
- The creation of this event is truly inspired, born from Warehouse 416’s current art show, African-American Icons (featuring the work of celebrated artists James Gayles, Esuu Orinde and Aswad Arif) and the theme for 2013’s Women’s History Month - “Women Inspiring Innovation Through Imagination: Celebrating Women in Science, Technology, Engineering and Mathematics.” By celebrating black women of today, we are looking to "the future of the written word - where creative innovation and skill meet community responsibility and futuristic thinking."
Now you can see why I'm so looking forward to this event. Here are the details: Black Women From the Future Saturday, February 23, 2013 7:oo-9:00 pm Warehouse 416 416 26th St in OaklandGet there early to sign up for the open mic!See you in the future!
Valentine's Day came and went again this year, along with its usual... challenges. You know I'm all about the self-love when it comes to these kinds of holidays, because if nothing else, it can be a good time to remind ourselves that we're worth loving even if we don't have the types of relationships or lives deemed perfect by the mainstream media's standards. But one of the great things that came out of this year's Valentine's Day was more about coming together than being alone. It was One Billion Rising, a global campaign to end violence against women. People all around the world united in the most wonderful way – by dancing. Anti-violence action and dance? You know I love it! Taking a stand to say we all deserve to live without violence – in the end, that comes down to self-love, too, doesn't it? For me, one of the most inspiring results of the One Billion Rising campaign comes out of the San Francisco jails, with those who participated there. Maybe I love it so much because I'm connected to these folks through my life and work, but I think this action also spreads a moving message that's important for all of us to hear. Watch "Inmates Rising" below, to see why the inmates danced, and why it was such a special experience for them. This video reminds me of the work of the formerly incarcerated poet Reginald Dwayne Betts. If you're not familiar with his work, I'd recommend getting to know him. Here's a taste, one love-centric poem of his: "For you: anthophilous, lover of flowers" by Reginald Dwayne Betts For you: anthophilous, lover of flowers, green roses, chrysanthemums, lilies: retrophilia, philocaly, philomath, sarcophilous—all this love, of the past, of beauty, of knowledge, of flesh; this is catalogue & counter: philalethist, negrophile, neophile. A negro man walks down the street, taps Newport out against a brick wall & stares at you. Love that: lygophilia, lithophilous. Be amongst stones, amongst darkness. We are glass house. Philopornist, philotechnical. Why not worship the demimonde? Love that—a corner room, whatever is not there, all the clutter you keep secret. Palaeophile, ornithophilous: you, antiquarian, pollinated by birds. All this a way to dream green rose petals on the bed you love; petrophilous, stigmatophilia: live near rocks, tattoo hurt; for you topophilia: what place do you love? All these words for love (for you), all these ways to say believe in symphily, to say let us live near each other.
Today is World AIDS Day. I've written about HIV and worked in HIV prevention, and I'm always saddened by the role that stigma plays in creating the pain that surrounds HIV and AIDS. Many of us don't want to talk about HIV or associate with it, which makes it easier to forget that stories of HIV aren't just about a virus – they’re about humans, brave humans who are hurt by our silence. Here's a project that helps combat that stigma. Magnum Photos shares stories and photographs of people around the world who are living with HIV and the stigma that comes with it. Here's "Stigma Under the Lens."
Today is my birthday! And I'm not asking for much. The older I get, the more I just want simple things. You know, a quiet night with my sweetie, laughter shared with a few friends, and an end to all hate violence. Is that too much to ask? I like to think it's not too far out of reach. Today is Transgender Day of Remembrance, so my birthday wish is to take time to remember all of the precious lives of transgender folks lost too soon. Too many suffered through hate, and so many were people of color. But none were disposable, and we'll never forget them. That's what Transgender Day of Remembrance is all about. You can visit the Transgender Day of Remembrance page to learn more about everyone whose memories we're honoring today. With transgender murders on the rise, there are many lost lives to remember. Gwendolyn Ann Smith has written a great piece on why we remember. San Francisco is observing Transgender Day of Remembrance with a rally, a march and a service, which all starts at City Hall at 5 pm. Learn more details about events happening worldwide here. Let's keep honoring each other, and building a safer world together.
Want to change the world? Join a non-profit agency! At an organization full of compassionate visionaries dedicated to making the world a better place, nothing could possibly go wrong – right?
Okay, so nobody’s perfect, and no non-profit is the perfect agent for change. As you may know, some aspects of non-profits can be stressful, challenging, and even counter-productive to the ultimate goals of social change work. And that can be hard for me to hold, knowing that even people with the best intentions can contribute to creating obstacles in the way of true liberation.
Luckily, we now have some courageous folks to help us name what goes on in the wacky world of non-profits, through a new activist-artist group called Peacock Rebellion. And they’re doing it all with fun and sass, as well as a deep sense of hope in the power of true activism.
Peacock Rebellion is centered around queer and trans people of color, and the artists craft their work through lenses of intersectionality, interconnection, interdependence and transnationalism. These artists aren’t afraid to speak the truth about the dangers of a non-profit industrial complex that upholds problematic patterns and stifles activists' dreams.
The truth is, we don’t have to accept the problems of the non-profit world, even with the best intentions. As Peacock Rebellion founder Manish Vaidya says, “we can dream bigger.” Our big dreams take center stage at Agen(c)y: Nonprofit Dreams + Disaster, Peacock Rebellion’s first cabaret. Twelve queer and trans people of color use comedy, film, burlesque and more to critique the current state of social change, and to share their freedom dreams. The tremendously talented performers include Lambda Literary Award winner Leah Lakshmi Piepzna-Samarasinha, Deep Dickollective founder Juba Kalamka, and Mia McKenzie, of the revolutionary blog Black Girl Dangerous. In addition to the all-star performers and curators (Maya Chapina and Manish Vaidya), there’s an all-star line up of sponsors: INCITE, Mangos with Chili, POOR Magazine/Prensa POBRE, Queer Rebels, and QWOCMAP. In other words, a whole lot of fierceness has gone into this show. Agen(c)y: Nonprofit Dreams + Disaster premiered last night to a packed house at La Peña Cultural Center, and tonight’s show is nearly sold out, so it may be too late to see it on this run. But don’t worry! We’ll be seeing much more of Peacock Rebellion’s amazing work. To find out more, you can visit their website or their Facebook page, and to offer your support, visit the Indiegogo page.
Today is National Coming Out Day! For some of my perspective on coming out, you can read "Thank You For the Ice That's Melting," my account of coming out to my mom, as well as a couple of posts from my old blog, on identifying as a queer writer and on what it means to me to be "out" as a queer writer. This year, I've been thinking about coming out in community. It's amazing to see how one person's individual choice to come out as queer can grow from personal to political. The act of saying just a few words to a loved one can mean adding one's voice to a whole chorus of people. And through risk, and possibly loss, one can find transformation and communities of folks who have all taken great risks to reject the idea that we should be ashamed of who we are or how we love. Tonight is a special Darling Nikki queer dance party, and I can't think of a better way to celebrate the courage and power of being visibly out and proud. Proceeds from tonight's event benefit CUAV, my own beloved organization that works to fight violence within and against queer and trans communities. A chance to shake my booty (to mostly old school hip-hop and rap, no less) and support safety for queer folks? I'm so in. Are you? Details are below - also, check out Darling Nikki on Facebook for more information about their monthly queer dance parties and the community organizations they benefit. Darling Nikki - October 11, 2012 and every 2nd Thursday of each month! 8pm onwards! SLATE BAR (Formerly Som-Bar). 2925 16th Street in between South Van Ness and Mission Street
This month’s theme is “Around the Way Girl” - we’ll be playing more old-school rap and hip-hop than usual, and we want you dressed accordingly! Bust out your Fendi bag and bamboo earrings!
This month’s guest dj is DeeJay Andre from Faded, 13 Licks and Fix Yr Hair, and we'll have our fantastic resident dj's Dr. Sleep and Justin Credible. We've also just added DJ Campbell to the lineup and she will be tagging with Dr. Sleep during the last set of the night.
As usual, we’ll have drink specials for all budgets and a fabulous photo booth by Cody Williams with art by the fantastic Katie Bush- check out her work at destroyevil.com and katiebushart.com
We’re also a benefit! This month’s organization is CUAV (Community United Against Violence).
$5 to get in.
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